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New OptiPin Solution Offers Touch-Free Optical Pin Film Transport for Spirit 4K / 2K / HD Scanners
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OptiPin from Digital Film Technology (DFT) combines
gentle film handling with the stability of pin-registered
film transfer.
The OptiPin (Optical Pin Registration) solution
addresses the major difference between film
scanning systems - the type of film transport. A
capstan-driven film transport provides real-time and
gentle film handling and can accommodate shrunken
film or damaged perforations. Pin-registered film
transports are slower and place stress on the film by
forcing pins into the perforations.
The new OptiPin solution merges the advantages of
both types of transport methods resulting in stability
that is comparable to frame-by-frame pin-registered
transport with real-time, continuous motion "touch-
free" capstan methods.
"Touch-free" handling means that no mechanical pins
touch your film, making the OptiPin option an ideal
solution for new and delicate film stocks.
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Digital Vision and Avid Event: Post Production Workflows for RED Footage
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Learn how Digital Vision and Avid provide the most
complete and ultimate post production solutions for
any RED camera project; close up and personal.
With the participation of Ted Schilowitz, Leader of the
RED Rebellion, these workshops will demonstrate a
unique end-to-end solution for your next project.
- When: March 11, 12, 2009
- Where: Avid NYC Office - (click read on for
address)
- Book your Session: alexa.chollet@digitalvision.se
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Acies Corporation To Acquire LA Digital Post, Inc.
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Upon the closing of this transaction, Acies
Corporation will change its business focus and will be
engaged in the business of renting post production
editing equipment to the entertainment industry.
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4K 3D Digital Cinema Camera System For Studio, Location, and Underwater Filming With RED Cameras
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Liquid Pictures announced a camera system utilizing
RED Digital Cinema cameras capable of shooting 4K
3D footage on land, underwater, and macro 3D
The Liquid Pictures 4K 3D Digital Cinema Camera
System can also be adapted to use Sony F35,
Phantom HD, and Phantom 65 cameras.
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Filmmakers get $48M in incentives from Michigan
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Thirty-five filmmakers qualified for $48 million in
payments from state government for work done in
Michigan during the first 10 months operation of an
incentive program enacted last year by Gov. Jennifer
Granholm and the Legislature.
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FilmLight Launches Baselight Transfer (BLT)
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Baselight Transfer (BLT) is a low cost near-set and
post-production solution for rapidly viewing, grading,
and transferring REDCODE RAW camera content, to
editable dailies or online conforms.
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Kodak Hosts Worldwide IMAGECARE Program Conference
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Kodak will host its second annual worldwide KODAK
IMAGECARE Program Conference, to be held March 8
through 12 in Los Angeles
The conference is developed exclusively for
participating laboratories of the KODAK IMAGECARE
Program, and is organized by the company's
Entertainment Imaging (EI) Division. More than 40
representatives from labs all over the world are
expected to attend.
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Sohonet Solutions Launches "VESSEL"
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VESSEL is a digital negative management service
aimed at feature productions.
VESSEL's automation drastically reduces the volume
and optimizes the movement of uncompressed data
flow during production. The system reduces the
volume of data movement by up to 200:1, in
comparison to brute-force data management
approaches - and all still working with completely
uncompressed files.
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Rhythm & Hues Expands To Malaysia
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The studio in Malaysia will be Rhythm's third outside
of the US. It also has studios in Mumbai and
Hyderabad. Presently, there are 300 people in the
India outfit.
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Renowned Colorist Adriano Mestroni Joins Rumblefish
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In a career spanning 20 years, Adriano has color
corrected more than 3,500 projects, often in
collaboration with the world's most celebrated DPs
and directors, including Zack Snyder, Spike Lee,
Tarsem Singh, and Tony Kaye.
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