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Technicolor at Paramount Studios Opens

Real film is not dead yet, professionals say

Technicolor beefs up French biz: Company buys Quinta's ADJ, SIS, Scanlab

“CSI: CRIME SCENE INVESTIGATION” TV SERIES NAMES HOLLYWOOD’S DILATED PIXELS AS SOLE VFX VENDOR FOR SEASON 12

An Immersive Keynote Announced for Createasphere's Entertainment Technology Expo

Eyeheight announces CC-3D stereoscopic colour corrector

Archion Further Enhances Avid Workflows with Introduction of Project Sharing on EditStor ES

Workshop: Lighting for Mood with Peter Stein, ASC

Blackmagic Design Releases HyperDeck Shuttle 2 with Avid DNxHD Recording and Playback

Cinedeck RX delivers tapeless workflow to Broadcasters and Mobile OB and Cinema

AMPAS to honor ARRI and Fraunhofer engineers with Academy Award of Merit (Oscar Statuette)

Cel-Soft Cel-Scope3D analyser to be utilized at Deluxe® Postproduction in Toronto

Pictorvision Eclipse Designers to Receive The Academy of Motion Picture Arts and Sciences® Scientific and Technical Award

DIAMANT-Film Restoration 4.5 with improved automatic dust removal

ENVY spends £450.000 on expanding the Grading and 3D departments and Martin Allan joins us from Prime Focus

Annapurna Studios expands its DI capabilities with second Mistika 4K system

New FX Company Launched at old ILM

Filmlab Takes Direct-to-Print Film Services to Global Market

Identity FX embraces Mistika to deliver high quality DI & Stereo 3D finishing to Hollywood, facilitating seamless integration

“Dallas” Chooses MTI Films’ Remote Control Dailies

Hollywood Center Studios Appoints Cole to Head Virtual Broadcast Services

zweiB goes for DVS technology again

Filmlab Takes Direct-to-Print Film Services to Global Market

Sound Devices Hosts PIX Seminar at Los Angeles Film School

Silhouette FX V4.5 Color Management

RED Sues ARRI Over Various Corporate No-Nos – Invasion of Privacy, Conversion, and E-mail Hacking

Bright Technologies Gets New BrightDrive Triton Out the Door!

New SCRATCH Lab 6.1 Delivers The Industry’s Best Price-Performance to Production Dailies Workflows

Technicolor - PostWorks New York Provides Grading Services for Three ASC-Nominated Television Productions

Codex and ARRIRAW Mark a Breakthrough Year in 2011

Wireless Power Consortium and Testronic Labs Announce Qi Interoperability Testing Center

3D Society Technology Awards

Nucoda Premium Grading Software and Precision Panel Fire Up Venice with Incendio

The Look dominates British Drama with Quantel Pablo

Oxygen DCT Introduces New Concept In Mobile Tapeless Workflow for TV and Film Acquisition and Editing

Sierra Video Announces Aspen 3232 Multi-format Routing Switcher

Mistika used in stunning DI & Stereo 3D in The Adventures of Tintin

Kodak Fellowship in Film Preservation Awarded to NYU Graduate Student

IKinema Announces Public Beta of New Browser-Based Animation Service

Silverdraft Chooses Utah Scientific Routing for Its Mobileviz Super-Computer VFX Studio-on-Wheels

Phoenix Takes On 4K Restoration with Key Software Upgrade

Nucoda Continues to Raise Benchmark for Premium Grading With 64-Bit Software Release

Dolby Engages Esteemed Motion Picture Executive Sid Ganis to Expand Relationships with Industry's Creative Leaders

JVC Introduces 3D Production Analysis Monitor

Eye Scream Factory Unveils 200+ Transitions for Avid FX and Boris RED

John Naveira Promoted to Executive Vice President, Post Production for Sony Pictures Entertainment

New DaVinci Resolve for Windows 7 64 bit beta now available to customers

Spice Shop Becomes First Commercial Post Facility in Southeast Asia to Install SCANITY High-speed Film Scanner

From Sitcoms To Zombies, Cinedeck Extreme Delivers Great Rental Results For Filmscape

Blackmagic Design Announces New Teranex Prices

ASG Software Solutions Acquires data management software firm Atempo

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